Fenn’s Searchers – A Film by Matt Maisano…

Matt’s documentary about those searching for Forrest’s hidden chest will premiere in Albuquerque at the Albuquerque Film & Music Experience, aka the Albuquerque Film Festival, aka ABQFILMX.

This is the day before Fennboree 2017 begins…so you can go see it before you head up to Hyde Park in Santa Fe.

 

To learn more and get a ticket to see Matt’s film see the contact information on the flyer below or just head to abqfilmx.com

 

Home of Brown…

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This is for a discussion about “the home of Brown” in Forrest’s poem.

Got an HOB that didn’t work out…or maybe you need an HOB for a certain area…or perhaps you have an idea that needs some fleshing out..

This is the place to discuss all things HOB…

dal…

Forrest is Awarded…

 

SUBMITTED APRIL, 2017
by dal

 

 

In March of 2014 True West Magazine honored Forrest with their second annual “True Westerner” award for his contribution to and preservation of America’s Western Heritage.

Forrest was chosen because of his work in Santa Fe as an author, collector, entrepreneur and artist and also for stoking “the national media fires with his $1million hidden treasure hunt”.

Forrest received this award in pretty good company. The inaugural award went to the irascible Larry McMurty and talented Diana Ossana in 2013 for their work as authors and screenwriters who together turned Annie Proulx’s Brokeback Mountain into an award winning screenplay. Not a work that portrays the classic vision of America’s western landscape. Certainly Bob Boze Bell, the editor of True West Magazine uses a wider lens when seeking candidates for his magazine’s heritage award.

While Forrest, to my knowledge, has not turned in a screenplay, his contribution to the heritage of the American West is none-the-less towering..although largely undocumented. He has helped, nudged and sometimes dragged artists into their own glorious spaces. Books he has authored on established artists have uniquely framed their experiences for the rest of us to comprehend. Forrest is both a respected admirer and a gifted promoter of the artistry of others and in doing so has diversified the market, increased the value and expanded the availability of works by the well known as well as the lesser appreciated. He has become the necessary angel of many artists and craftfolk of the wide west, tirelessly encouraging and pointing.

Forrest’s True Westerner Award

Certainly Bob Boze Bell is a wise man to have recognized Forrest for his contribution to America’s Western Heritage…and if you ever have a chance to visit Forrest’s home, I’m sure you will be wildly enthusiastic about his stunning collection that preserves a meaningful and beautiful portion of our magnificent western heritage.

dal-

 

A New Mexico Solution…

by Morrison James Tayn-

As I have gone alone in there
 And with my treasures bold,
I can keep my secret where, 
And hint of riches new and old.

(1.) “Begin it where warm waters halt”
Solve: Warm waters halt disease.
Location: “10,000 Waves” Spa Resort – Hot water Spa at 3451 Hyde Park Road, Santa Fe.
Note: This spa has been there for 30 years using the traditional Japanese Hot water therapy.

(2.) “And take it in the canyon down,”
Location: Follow Hyde Park Road (Ski Basin Road #475) in a canyon, towards the mountains
Note: You enter the canyon “down” before Hyde Park road ascends.

“Not far, but too far to walk.”
Instruction: 8 miles up to Ski Sante Fe Mountain
Note: 8 miles walking up 3600 feet, takes over 6 hours

(3.) “Put in below the home of Brown.”
Solve: In spanish “Home” is “Casa” and “Brown” is “Cafe”.
Location: Take the Winsor trailhead (#254) below the “Casa Café” at Ski Santa Fe Mountain, off of the parking lot.
Head towards the Borrego (#150) / Bear Wallows (#182) trail loop via Winsor Trail (#254).
Note: The trailhead is 10200 feet. Fenn, as per Dal, has said the treasure is specifically below 10,200 feet.

(4.) “From there it’s no place for the meek,”
Solve: “Borrego” is Portuguese for a gentle or meek person.
Location: At the trail fork of Borrego Trail (#150) & Winsor Trail (#254) continue on Winsor Trail (#254)

(5.) “The end is ever drawing nigh;”
Location: Consider a left off of Winsor Trail (#254), Bear Wallows Trail (#182)
Note: “Nigh horse” is on the left. The “Nighest route” is the most direct route. Creeks are “ever drawing” water

(6.) “There’ll be no paddle up your creek,”
Location: Investigate the shallow creeks along and off Bear Wallows and possibly Winsor trail. Head “up” creek.

(7.) “Just heavy loads and water high.”
Solve: You “bear” heavy loads and a ship “wallows” or rolls from side to side in water high as per Oxford Dictionary.
Location: Search Bear Wallows Trail (#182) for the blaze, most likely located up a side creek.

(8.) “If you’ve been wise and found the blaze,”
Instruction: Look for a possibly “white” marked boulder 200+ feet up a side creek.
Note: Fenn says seekers have been within 200 feet of the treasure and describes, in triplicate, blazes as being “white”.

(.9) “Look quickly down, your quest to cease,”
Note: The chest is not buried but most likely covered or hidden in a hollow tree, root hollow, or rock crevice and it is “wet” as per Fenn, signifying it may be placed right in a shallow creek.

But tarry scant with marvel gaze,
Just take the chest and go in peace.
So why is it that I must go
And leave my trove for all to seek?
The answers I already know,
I’ve done it tired, and now I’m weak.
So hear me all and listen good,
Your effort will be worth the cold.
If you are brave and in the wood
I give you title to the gold.

Map (Road in Black, Trails in Red)

(10.) Shortcut:
Bear Wallows Trail (#182) and Borrego (#150) are accessible from a small parking area, half way up Ski Basin Road #475.

-Morrison James Tayn

 

Where Warm Waters Halt…

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This is for a discussion about Where Warm Waters Halt. We’ve all got ideas that didn’t work out or we are willing to share…I think we can give folks just starting out some ideas for the kinds of places that might just be the place Where Warm Waters Halt…or not!

Let the discussion begin…

dal…

Poetry Page XII…

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The chase certainly has inspired some great poetry…

Here is page ix for poetry about the chase, Forrest or any other Thrill of the Chase related topic. I am hoping poets will create new poetry and place it on this page.

If you would like to peruse the  verse on the first page of poetry click HERE.

Second page is HERE

Third page is HERE

Fourth page is HERE

Fifth Page is HERE

Sixth Page is HERE

Seventh Page is HERE

Eighth Page is HERE

Ninth Page is HERE

Tenth Page is HERE

Eleventh Page is HERE

Thanks

dal…

Forrest Gets Mail – 16

Dear Mr. Fenn,

I have an 11 year old son named River. Last year sometime he said to me, “I wish there were still treasures left to find”. I found this to be a telling part of his personality. He wasn’t taking about money. He was talking about the adventure, the purpose, something bigger than himself. I agreed with him. I always wished I were Indiana Jones when I was little and that there were still mysteries to solve and adventures to be had, by normal people. That you didn’t have to be someone special or have special education to be able to go do this amazing thing. I had never heard of your treasure until today and I’ve spent all morning reading about it.

Here is River, age two, teaching my brother to fly

I’m home schooling my son this next year and your poem just became part of his curriculum. I believe this treasure is out there, but for me in just excited to have something for my mind to ruminate over. How fun. I don’t know about you or your life, but now I want my son and I to read your book together- to show him there are still treasures to be found and adventures to be had. Thank you for the chance you’ve given so many people for that. Is it true you can figure all of this out remotely by looking on a map?? I wish I were more familiar with the terrain as I was born and raised in Alaska 🙂

Anyhow, I hope this finds you in good health. I hope reading of others odyssey’s has brought you as much satisfaction as searching for it has brought them.

I plan on studying your puzzle. Feel free to update me on any new clues haha! Maybe someday we will go rescue your box from its watery grave. Until then, thanks again for the adventure.

Roxanne

 

 

Thank You Searchers……

Dear Forrest and Members of the Search Community,

What an honor it was to recently be surprised with a quirky raffle fueled by your generous donations and hosted by none other than Forrest Fenn!  Thank you simply doesn’t cut it, so before I explain the significance of that wonderful encounter, I’d like to share a little more with all of you about who I am, what the Santa Fe Children’s Museum is, and why generosity combined with a sense of hope and adventure is really the greatest gift we can bestow on each other.

I first heard about Forrest Fenn and his treasure about 2 years ago.  I was visiting my family up in Colorado (my home state) and was talking with my dad who was very sick with cancer at the time.  He asked me, “Have you heard about that treasure some guy from New Mexico hid out in the mountains?”  My father had a penchant for all things baffling, unexplained, and archaeological.  I inherited these same fascinations, and while we didn’t have the easiest relationship, we could always strike up a conversation about the mysteries of the universe.  “What treasure?”  I asked.  He proceeded to explain that a strange man had hidden a fortune somewhere in the Rockies and that the only known clues to its whereabouts were to be found in a poem published in some book he wrote.  True to my dad’s own sense of adventure and admiration of infinite possibilities, he encouraged me to go look for it when I returned home to Santa Fe.

Fast forward to New Mexico… my own busy life overshadowed all memories of that fanciful conversation and I became deeply entrenched in nonprofit work.  First at an animal sanctuary, then at the local animal shelter, and now at the Santa Fe Children’s Museum.  Probably not unlike many of you, I like indulging in big, seemingly unattainable ideas, that often seem ridiculous to others, and then pursue them like crazy with only my imagination, a compulsion for good deeds, and an unrelenting belief that anything is possible, to guide me.  Indeed, while maintaining this kind of drive is hard work, and ends in frustration and disappointment more often than not, every step is worth the journey and it ensures that we’re living our lives in accordance with what we find most meaningful.  While I can really only speak for myself, I suspect it’s this same kind of magic that inspired Forrest to hide his treasure, and the very same magic that inspires you to seek it.

So in honor of the cumulative force that brought us all together at this single point in time, I’d like to explain the actual impact the money from the raffle is having on some of the children here in Santa Fe.  As an institution, we aren’t a museum in the white-glove, hush-be-quiet sense of the word, but rather a place where kids can indulge their curiosities, engage in healthy social interactions, and learn by doing.  We have an incredible 1.5 acre interactive garden space, and over 35 play-based exhibits that help boost confidence, curiosity, and problem-solving skills.  We serve families from all economic backgrounds and on many levels… from educational programs, to special community events, to community access projects for those who need it most.

In collaboration with several organizations dealing in child welfare, we’ll be using the raffle money to hold monthly birthday parties for some of the most vulnerable children in the region.  Foster and homeless kids, families with adults in rehab programs, children who are grieving… you name it… we’re here to make sure these kids get their day in the sun.  Not only will they get a great big birthday celebration at the museum and the opportunity to share the experience together, but they’ll also be getting presents from us, fancy birthday cake, and the opportunity to bring friends and relatives along for their special day.  You made that possible for these kids!… A big resounding thank you is in order.

THANK YOU.

On behalf of the Santa Fe Children’s Museum and the children whose own journeys you’ve helped brighten, and on behalf of my father, who embarked on his own journey into the great unknown one year ago this month, may your own paths continue leading to new friends, grand adventures, and the kindest of intentions.

Yours in gratitude,
Jessica Jenkins
Santa Fe Children’s Museum

Two Boys Find Hidden Gold…

by dal-

I knew this would get your attention. It’s true…but it’s not Forrest’s treasure they found.

Two fatherless kids living on the edge of poverty with their mothers in Baltimore found a hidden pot full of gold coins quite by accident when they were digging a hole to hide some small items of their own back in 1934.

The face value of the gold is nearly $28K but all the gold coins are from the 19th century so the value as collectible gold is much, much higher. In 1934 a three bedroom, brand new home cost about $6K.

A decent wage is $20/week.  This is big money…In today’s money that collectible gold could be worth $10million.

The question of course is who gets to keep it. It was found by the boys but it’s in the basement of their tenement building…which they don’t own. They can’t take the coins to the bank and quietly exchange them for cash because in 1933 President Roosevelt’s Executive Order 6102 made it illegal for private citizens to own gold bullion or coin. The boys are told that If they take the coins to the bank they will be arrested. If they try to spend it they will be arrested and the gold will be confiscated by the government. What would you do?

I bumped into this fascinating book about this riveting event the other day. I finished reading it today. A real attention grabber. The book is titled Knight’s Gold and is written by Jack Myers. You can find it on Amazon as a paperback or as a Kindle read.

Jack does one heck of an investigator’s job in unraveling the mystery of who put the pot of gold in that basement and why. He is also a fine storyteller taking readers vividly through America’s relevant confederate history and the lives of a few ethically challenged dreamers.

It reads like a fine historical fiction novel…and that would be good enough…but it’s all true and that is stunning!!

Jack deftly draws us into the story with connections that go back to the assassination of Lincoln, the Alamo and even the slave trade. It’s one good bouncy ride through history and the human condition.

What’s more..gold caches of the same parentage are still presumably hidden today in places all over the country. No nine clues. Just a big fat pot full of collectible gold hidden for secret purposes that never saw the light of day.

I was captivated throughout the story not only by the thorough investigation and gripping historical tale but also by the nagging question…are the boys going to get to keep the money or will the government, lawyers or the bad guys get it instead…a question certainly relevant to our own search…

Looking for a good read til the snow melts? Try Knight’s Gold by Jack Myers. It’s available on Amazon.

BTW: Jack mentioned that searchers should be aware that some KGC treasure was reportedly moved to Oklahoma, New Mexico, Arizona, Colorado, and perhaps Utah during the 1870s and 1880s.  Knights’ Gold will give some clues as to what to keep an eye out for when looking for these transplanted KGC treasures.

The Case of the Mirrored Image…

March 2017

by Jeremy P

 

“In solving a problem of this sort, the grand thing is to be able to reason backward… Now, this was a case in which you were given a result, and you had to find everything else for yourself.” – Sherlock Holmes, A Study in Scarlet

The archaeologist resurrects the past from available evidence found in the present. It’s not an easy job. Often the story is told only through small details, and the archaeologist has to piece together the small bits they find into a larger narrative. For a great example of this, be sure to check out some of the video interviews with Forrest, l ike this one in which tiny marks on a bone suggests that ancient peoples may have had to eat horses when times were tough. It’s pretty cool what all you can figure out from a few small marks.
http://dalneitzel.com/video/fishing/sl03.html

Dr. Jones said, “Seventy percent of all archaeology is done in the library. Research. Reading.”, and it’s the same in the Chase, but you all know that already.
It’s winter. If you’re out in the woods, you shouldn’t be. So while it’s no grand adventure, let’s have some fun.

We’re going to try and resurrect the past, in some small way. We’re going to turn back time and try to figure out what an original artwork looked like, from what we find in the present, using one of the well-known illustrations in T he Thrill of the Chase. We’re going to take this image and rebuild it as the artist originally intended.

First, some context. Mirrors, reflections, reversing, these topics are so on the minds of searchers these days, based on comments from Forrest in the past year. Most searchers are watching videos on Youtube about the “backwards bike”. They’re digging up scrapbooks in which Forrest shared pictures of his bathroom mirror. They’re wondering about mirrors in the chest. They’re pondering quotes from the book like, “…if any readers over the age of twelve don’t see a little of themselves in this mirror…”

Mirrors are hot right now, but did you know… there is actually a mirrored image in the book? There’s just the one, it’s on page 146, and if you don’t look twice you may miss it.

This is the image as published in The Thrill of the Chase, on page 146. At first glance, there doesn’t appear to be anything curious about it. Those who have read the book have considered whether it holds clues, but on its own it simply seems to be an illustration about the environment, similar in theme to the Joni Mitchell song about paving paradise and putting up parking lots.

Look closer, however, and you may begin to notice some oddities. Most of the people I’ve talked to, when asked, eventually notice that some of the tree stumps have been duplicated. Fewer, still, notice that this image is a mirrored one.

The left edge of the sky in the image is exactly the same as the edge of the right side.
So, let’s keep things straight. I don’t want to start any clue-mongering. I think we can reasonably say that the mirroring in this image is the work of the graphic artist who placed the image on the page, and not the original illustrator (presumably, Allen Polt, as listed in the credits), and it’s probably not a clue from Forrest in a conspiracy with the artist himself.

How do we know this?

We know it was the graphic artist who mirrored the edges, because a space for a tree stump is copied on the left side, where there is no tree stump, with exactly the same edges as the space on the right, where there is a tree stump. The illustrator didn’t do that. It’s clearly a Photoshop job, post-illustration, pre-press.

What I’m interested in — what we’re endeavoring to do, in fact — is to determine whether or not we can figure out exactly what the original image was, before it was doctored. We want to see if we can reconstruct the original image and bring it back from the past.
Got it? Great! Let’s get to work!

What we don’t know, yet, is which edge of this mirrored image is the original edge. We’ll need to know that in order to reconstruct the original image.

For now, let’s skip over the question of edges, just for a moment, and look at the tree stumps in the foreground.

As we can see, several of the tree stumps are duplicates. The copies are color coded here. Which ones are copies, and which are the original, is a little difficult to determine, but not so much if you think it through.

There are two types of images that graphic artists work with, vector and raster images. Vector images are scalable because they are just paths, so like between “x” and “y” fill the path with black. These are great for logos where you don’t know if it’ll be a small image on a phone or a big image on a billboard. Line drawings, solid shapes, those are all good for vector images. Photos, not so much.

Raster images are made up of individual pixels. They don’t scale well, especially when trying to make them larger. We’ve all seen pixelated images of small graphics blown up big, and those are raster graphics. These are raster graphics, the illustrations in the book.
But here, in this image, we have clean lines. This suggests they haven’t been scaled up. In fact, they have probably been scaled down, as we have another clue in the line thickness, or weight. Notice that most have similar line thickness, but some are lighter than others. The line weight suggests that the copies are the smaller ones, because the lines are thinner.

Great! We’ve made progress. Let’s remove the ones we can determine are copies, based on line weight. These are the smaller red and blue ones. Here’s the result:

Notice that the ones that were marked green and orange haven’t been removed. That’s because we don’t have any basis for determining which of those are the original, and which have been duplicated… at least not yet.

Now, let’s turn our attention back to those edges of the sky. Can you figure out which one is the original edge?

They are nearly identical, so don’t feel bad if you can’t figure it out right away. OK, I’m not really being fair. It’s a trick question.

Truth is, neither the left side, nor the right side, is the original edge. It’s this green dotted line shown here. Wait, what? You’re wondering, “Where did that come from?” Bear with me. It is the original edge. Here’s how we know…

The six stars highlighted by the green circles are all the same set of two stars. If you have the book, check it out. It’s obvious once you know what you’re looking at.

There’s other “registration points” in the ink strokes and minor white space, as well, but these six are the most noticeable.

These stars give away that what we have is the exact same pattern on the left, twice, and once on the right. This leaves us three potential original edges, and we have to decide which is the correct one.

Well, obviously, we know that one of the two on the left isn’t the original, and we know that it can’t be the outer one on the left, because that leaves the inner left duplicate pattern unaccounted for. There’d be, like, a gaping hole there. It’s not rocket science.

But now that we know that we are justified in doing so, let’s remove the outer edge duplicate, the two stars on the farthest left and the matching pattern that surrounds it.

What we’re left with is what we know to be the original face of the left side, and what the graphic artist gave us as the edge of the right side.

The second set of stars on the left were kept as is, and the reconstructed edge was found in the ink marks. Again, if you have the book you can follow along. These small scans don’t show the marks in great detail.

However, If you look very close at the illustration on page 146, you can see a little indentation here, a duplicated ink stroke there. Hidden in all of this is everything we need to find the original line marked above in green.

OK, still with me? So, now that we have this somewhat awkward looking image, we also have a very new question. When trying to deconstruct what the graphic artist made, and reconstruct what the original illustrator made, we’re forced to ask…

Did the graphic artist flip the right side to the left side at some point? It’s a fair question. Although we’ve found that the left side had at least one copied pattern, maybe both patterned areas were copies, originally from the right side. So, the question, was our reconstructed left side copied from the right side of the original?

The answer is, No. How do we know?

This little line here tells us. It’s not a natural line. Drawn from left to right, it stops abruptly at the arrow, then starts again and ends at the stump that we can clearly see is the same stump from the left side of the image.

The two stumps, the one on the left, and the one on the right, are the same, so which is the original?

If you trace this little line on the left side of the image, it flows naturally. If you trace the line on the right side, it doesn’t. The one on the left, of course, is the correct original line, and the stump on the left is the correct original tree stump.

Further, if you look at the image on page 146, this non-natural line’s “bump” coincides with a darker ink stroke extending upward. Everything to the right of the darker stroke is a duplicated pattern from the left image, everything to the left of the stroke is not that pattern, it’s “new” image.

Now we’re really making progress!

We can follow this line and reconstruct the original right edge of the illustration and remove the copied edge.

It’s not an exact science, but this is more or less the original, non-mirrored, right edge of the illustration.

And now we can clearly see which of the remaining duplicate stumps are original stumps, and which are copies that should be removed.

We remove the final stumps, leaving only the original stumps, the original left edge of the illustration, and the original right edge of the illustration.

Finally, like a ghost from circa-2010, we have a glimpse of the original illustration. Let’s recap…

This is the illustration that was constructed by the graphic artist, from the original illustration provided by (presumably) Allen Polt, published on page 146 in The Thrill of the Chase.

As we’ve seen, when looked at closely, it’s been changed in several ways from the original artwork. Through analysis, we’ve determined exactly what steps the graphic artist took in constructing this image, and working backwards from the published image we were able to reconstruct the original work.

We found evidence that both sides were actually extended, using the left edge of the original work. The right side was augmented. The left side was the augmented. But even as the left side of the original work was used, it was copied and pasted to both sides, and the original left became left, right, and also left-left.

It was challenging, but we did it. Like archaeologists, we’ve built a time machine and peeked into the past.

You’ve been patient long enough, so let’s have a look at the original work by the original artist! Here it is, The Original Illustration…

It’s possible that the original work has some minor differences from what we were able to reconstruct, but we should be fairly certain that if said artwork ever surfaces we’d be pretty close, if not spot on, in our reconstruction.

To me, this version looks more like the style of other images in the book. It doesn’t take a lot of imagination to draw similarities between it and, say, the image on page 41 of the book. There’s a similar rounded side on the right, and a straighter edge on the left.
Now all we need is Allen Polt’s autograph to make it complete.

OK, you’ve all been really great on this adventure. As a reward, you can now let your imaginations wander!

Why was the image expanded from the original work???
Was the illustrator OK with the changes???
Did Forrest even know the graphic artist made the changes??? Is the mirroring a clue???

Unfortunately we can’t answer these questions with just the physical evidence we find in the final published image. But, hey, that’s what imagination is for, and maybe that’s why it’s so much more important. Imagination fills these gaps between knowledge, which are like enormous canyons waiting to be filled.

Go fill them up! Jeremy P.